Marcy Drexler July 4, 1952 - July 21, 2019 

Marcy was the first female radio engineer with noted New York oldies station, WCBS-FM. After leaving WCBS-FM she went on to spend the next 10 years as an A&R manager - first at Arista Records and later MCA Records - where she placed many hit songs and signed successful artists including ‘Til Tuesday, Men Without Hats, and The Thompson Twins, amongst others. Marcy then joined the world of music publishing where she headed the creative divisions of both Warner/Chappell and Sony Music (now Sony/ATV). Her success with artists and songs continued and she was awarded many gold and platinum albums by bands and artists such as Cinderella, REM, Rod Stewart and Starship. 

After Sony Music, Marcy joined ASCAP (the oldest, largest and richest Performance Rights Society in the US) as Senior Director of Membership East Coast. Again, she found herself signing writers and artists, nurturing their careers, critiquing songs and facilitating deals and acting as the writers’ liaison with record companies, managers, publishers and agents. She was also credited with initiating many of ASCAP’s programs that are still in effect today. These include Music Business seminars, Song to Song, Workshops in Jazz and Pop, The Advanced Songwriters’ Workshop, monthly showcases and showcases on the road. 

Marcy also conducted lectures at Universities throughout the Northeast and taught courses on the Music Business for the National Academy of Popular Music and the Songwriter’s Hall of Fame. She served on the advisory board of the Association of Independent Music Publishers, the NY Board of Governors of the Recording Academy (NARAS), where she co-chaired the Education and Charity Committees. She was also responsible for choosing the artists that appeared at the Songwriter’s Hall of Fame monthly showcase series held in various clubs throughout NY. 

Marcy’s last position in the music business was as Senior Vice President/Creative at Smoking Caterpillar Music, a full service music publishing company that placed songs with artists, as well as with movie and television soundtracks. Their roster included Edwin McCain, Marshall Crenshaw, Keith Reid and Anton Fig. 

While still the ultimate music fan, Marcy decided to pursue her other main interest – antiques and collectibles - and started her own business. Initially under the name All You Need Is Love, and later, Little Shiny Objects, where she specialized in Bakelite, costume jewelry and various other collectibles. 

Marcy made an impression on those she knew and worked with throughout her life and career, and will not be forgotten.

Skip Mitchell April 28, 1949 - September 18, 2017 

Lowell "SKIP" Mitchell, Jr. 


Lowell Mitchell Jr, affectionately known as “Skip”, was born on April 28th 1949 to Mildred (Bunn) Mitchell and Lowell Mitchell Jr., in New York City. 

He was educated in the New York City public school system, attending Seward Park High School, then attended Cobleskill College of Agriculture and Technology in upstate NY. 

He worked diverse jobs in NYC for various companies including, brokerage houses, law firms and Securities corporations as an Operations Clerk, Mailroom Supervisor, Copy Center Clerk and  in Office Services. He also worked for Macy's Department Stores during the holiday season, which he enjoyed, meeting new people and helping them have a great shopping experience. 

His true passion was and always would be Music, which has been a big part of Skip's life for as long as he could remember. His mother had a wonderful singing voice and played the piano with an equally tender touch, which influenced him deeply. She mostly sang church hymns but loved such performers as Nat King Cole, Sammy Davis Jr., Ella Fitzgerald, Marvin Gaye, Barbara Streisand, and Sam Cooke. Skip also showed a natural flair and affinity for music. As a child, he first learned harmony listening to various doo-wop groups. He knew he wanted to be a singer after listening to the sounds of Jackie Wilson, Sam Cooke and Elvis Presley. He started seriously writing songs after his parents bought him a piano at the age of fifteen. He also sang in the schools and church choir. In his high school choir at Seward Park in NYC, he sang under the direction of Melvin Hodge. At Mr. Hodge's urging Skip auditioned for the All-City High School Choir. After four grueling weeks of tryouts he became a member singing as a Tenor under John Motley conducting during the three years which led to performances at the New York Philharmonic. 

Skip loved going to shows and watching such favorites as Jackie Wilson, The Temptations, The Four Tops, Otis Redding, Aretha Franklin, Wilson Pickett, The Spinners, The Dells, The Coasters, Patti LaBelle & the Bluebells (who later became LaBelle) and many more, especially during the great Motown era with many of the great hits written by Holland-Dozier-Holland and the incomparable Smokey Robinson. He especially loved the energy and excitement these singers/groups would generate and they each left quite an impression on him. When he was eighteen, he joined a neighborhood singing group called The Valairs. They were five talented young men ages sixteen to eighteen years who not only sang well but with Skip's persistence in adding choreography to the group, also learned to move together just as nicely (ala Temptations, Spinners & Coasters). Besides the many performances they did in the Lower East Side and Harlem they went on amateur hour at the famed Apollo Theatre and took first place! The group  later disbanded and Skip joined other memorable groups, including performing as a solo act while accompanying himself on the piano during which times he entered several talent competitions and placed either 1st or 2nd in each one! In the '70s, he helped form the group Full Moon. They sang together for a few years throughout the city in many venues and Benefit concerts, still remaining friends to this day. He was the lead singer in his next group, Just Friends in the late '70s until 1981. They performed in many clubs in NYC, including the once very popular Village Gate on Bleecker Street in the Village. When that group broke up Skip continued to sing there on weekends as a solo act until 1983. He also did some studio work with United Artists, putting down background harmony tracks for upcoming singers for the next several years while continuing to write his own music and performing at different establishments. 

After receiving numerous enticing offers to tour and share his talent with the world, Skip reluctantly had to turn them down due to his parents deteriorating health. Through the tragedies and adversities there was only one constant – he never stopped singing or writing! What brought him his greatest joy was to sing whenever he got a chance to. Skip enjoyed jamming with other singers in Washington Square Park, where he built quite a following of fans and admirers from around the world who adored his joyful singing and dancing. He has performed in other venues as well and even made an appearance on an Adult Swim promo. Skip is a member of ASCAP and The Society of Singers. He was working on and looking forward to finishing and releasing his first cd, Life, Harmony & The Pursuit Of Paradise. 

Skip is survived by his wife, Sheila, sibling Deborah Mitchell Champagne, niece Dominque Champagne, nephew Jean Claude Jr., grandniece Alaijah Champagne Ruiz, and grandnephew Keith Moore, Jr.

JOE BUDNICK JULY 3, 1948 - OCTOBER 10, 2015 

Joe Budnick    Photo: Sandy Hechtman 

October 22, 2015 | Filed under: Obituaries | Posted by: The Villager 

Joe always enjoyed seeing other musicians shine 

BY B. STEWART  |    Ernest J. Budnick, known to most of his friends as “Joe,” was a musician and a major presence to those who would frequent Washington Square Park. But he was also a man of many other talents and accomplishments. 

He was a writer (author of a book on business technology), a video producer (Bernard Friedman Video Rock — a cable music program that debuted around the same time as MTV), an entrepreneur (in the early 2000’s he hosted an open mic at the Baggot Inn on W. Third St. in Greenwich Village that led to the release of several compilation CDs by many of the artists who performed there). Joe was inquisitive, well read and knowledgeable on a variety of subjects. As one friend put it, “He knew a lot of stuff.” 

“He was one of the kindest human beings that ever was,” said Bernard Friedman. 

Joe started playing in a band as a teenager in Brooklyn. He later went on to form groups — Full Moon being one — with various singers and musicians he met while hanging out in Washington Square Park. Another one of his groups, Just Friends, held a residency at the legendary Village Gate. An earlier incarnation of Just Friends recorded a 45 single, “Keep On Playing.” 

“We always had a lot of fun together…going out to different places, with Joe always being the upbeat, sometimes goofy guy that made everyone around us laugh,” recalled Skip Mitchell, a singer with both Full Moon and Just Friends. 

In later years, Joe could be found playing in the park on any given day. He would always be inclusive and encouraging, welcoming other singers and musicians, beginners or professionals, to join in. He also loved to interact with both the tourists and local members of his audience — taking photos and posting them on his Web site at 

“Joe had the unique quality of truly enjoying seeing other people shine, prosper and most importantly have fun,” said Lori Behrman. “It was largely because of his constant encouragement and nagging I started singing in Washington Square Park, started a band, played in clubs, and wrote songs. He instilled in me the importance of surrounding yourself with positive and life-affirming people, and that life was too short to spend unhappy and unfulfilled. Even though he’s gone, the lessons I learned from him will stay with me forever.” 

Joe had health issues for many years but they never hindered him from rocking out with exuberant performances to the delight of onlookers. 

On many occasions he would be asked by people who would stop and listen, if he played in the park often. His reply usually was “I’m here seven days a week.” 

He will always be here seven days a week.